Daniel Gerhartz

Daniel Gerhartz (1965)

In deze korte reeks vier schilders van mijn generatie die het modernisme de rug hebben toegekeerd en zich baseren op de traditie van de Oude Meesters of de negentiende eeuwse Académie: Morgan Weistling (1964), Daniel Gerhartz (1965), Kamille Corry (1966) en Paul S. Brown (1967).
Vandaag: al la prima schilder Daniel Gerhartz (1965)

Daniel GerhartzDaniel Gerhartz, born in 1965 in Kewaskum, Wisconsin, where he now lives with his wife Jennifer, and their young children, Dan’s interest in art emerged as a teenager. Studies at the American Academy of Art in Chicago, Illinois and his voracious appetite for museums and the modern masters such as John Singer Sargent, Alphonse Mucha, Nicolai Fechin, Joaquin Sorolla, Carl von Marr as well as a host of other French and American impressionists have inspired him.
 
Dan has a particular interest and appreciation for modern Russian art and the sumptuous canvases of the painters Nicolai Fechin, Isaac Levitan and Ilya Repin. As Dan says, their paintings are “completely loose yet deliberate and faithful, not at all flashy.” Indeed, the powerful and evocative beauty of Gerhartz‘s paintings are also due in large measure to looseness, honesty and faithfulness of his style. Dan’s paintings embrace a range of subjects, most prominently the female figure in either a pastoral setting or an intimate interior. He is at his best with subjects from everyday life, genre subjects, sacred-idyllic landscapes or figures in quiet repose, meditation or contemplative isolation. His mastery of the female figure, the clothed figure especially, is brilliant. He has drawn inspiration from the very old tradition of romanticism and symbolism. His absolutely lavish surfaces, color and lighting are in harmony with his expressionistic brushstroke, application and modeling of light and shade.
 
Bron: danielgerhartz.com
Gerhartz
Daniel Gerhartz
in dit schilderij is zowel wat thematiek als stijl betreft de invloed van Joaquin Sorolla te zien

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