On Great and Holy Friday the Orthodox Church commemorates the death of Christ on the Cross. This is the culmination of the observance of His Passion by which our Lord suffered and died for our sins. This commemoration begins on Thursday evening with the Matins of Holy Friday and concludes with a Vespers on Friday afternoon that observes the unnailing of Christ from the Cross and the placement of His body in the tomb.
 
Bron: lent.goarch.org

The day of Christ’s death is the day of sin. The sin which polluted God’s creation from the breaking dawn of time reached its frightful climax on the hill of Golgotha. There, sin and evil, destruction and death came into their own. Ungodly men had Him nailed to the Cross, in order to destroy Him. However, His death condemned irrevocably the fallen world by revealing its true and abnormal nature.
 
Bron: lent.goarch.org

Enter a world populated by private eyes, gangsters, psychopaths, and femmes fatales, where deception, lust, and betrayal run rampant. The first film-by-film photography book on film noir and neo-noir, this essential collection begins with the early genre influencers of German and French silent film, journeys through such seminal works such as Double Indemnity, The Postman Always Rings Twice, and Vertigo, and arrives at the present day via Chinatown, Pulp Fiction, Heat, and the recent cult favorite Drive.
 
Entries include posters, tons of rare stills, cast/crew details, quotes from the films and from critics, and analyses of the films. Film director, film noir scholar, and Taxi Driver screenwriter Paul Schrader provides the introduction to this feast of noir worship. Populated by the genre’s most revered directors, like Hitchcock, Wilder, Welles, Polanski, Mann, and Scorsese, the book also pays homage to its iconic faces, including Mitchum, Bogart, Hayworth, Bergman, Grant, Bacall, Crawford, Nicholson, Pacino, and so many more.
 
Bron: taschen.com